IF

1865-1936. A man who served the Empire. Good man, that Kipling.

Back in 1995 Rudyard Kipling was voted Britain's favourite poet and the favourite poem was Kipling's, 'IF'. No doubt voted for by people who have not read his work, apart from 'IF'. Fast forward to 2015 and the nation's favourite poet morphs into TS Elliot. Quite a change in subjective taste- go figure. 

Kipling, in my opinion, was a poor poet prone to pomposity and moralising and yet all the same had the knack of juxtaposing platitudes in a pleasing manner. Perhaps I'm being unfair, some of his prose ascends to the sublime although much of his work is simply silly, especially to the modern mind. Read the following and tell me if I'm wrong: "I heard the knives behind me, but I durns't face my man, Nor I don't know where I went to, cause I didn't stop to see, Till I heard a beggar squealing out for quarter as he ran, And I thought I knew the voice and- it was me." Kipling had the annoying habit of dropping haitches and the ending, 'g' when portraying the working class soldiery. Tis a condescending and distracting trait which adds nothing to the composition, so in the quoted version I have erred on the side of correct English usage.

It is interesting to note that Kipling has remained 'popular' with non-literary folk and despised by those with literary pretension- quite a legacy. Those on the 'left' hate him for his jingoist imperialism irrespective of any intrinsic poetic merit. The views of Kipling are well portrayed in his verse and reflect a 'Kipling' who was very much a man of his time: A Victorian. Not only a Victorian, but also a member of the ascendant race which ruled the world; heady stuff. This was too good to last and the man's poetry changed as the world changed. But like the true Victorian he was, he failed to comprehend that change and was left adrift in a Modern World where certainty had perished on Flanders field.  Indeed, his poetry undergoes a modification after the Great War. Before that time, it is bold, sure-footed and on the side of god, king and country. Kipling's god is a good god and punishes hubris and his king never strays from his queen's bed chamber. The war changed him. Idealism was lost and he was smart enough to realise that 'right' was no longer enough to prevail, the only thing that really mattered was 'might'. This has always been the case and yet is not always appreciated, especially in times of prolonged peace. After the war, a strain of cynicism and bitterness enters his work. Gone is the certainty of the privileged middle-class man living in an Anglo-centric world. What enters is bewilderment and incomprehension. Although the British Empire had prevailed in the greatest war ever known, it had inexplicably become weakened and superseded by 'lesser breeds'. Kipling acknowledged the reality but failed to understand it. Anyway, here is the poem, 'IF', in its entirety. In my opinion, it is cloying and 'preachy' although some of the couplets are very seductive at the emotional level. Please judge and let me know what you think.

IF

If you can keep your head when all about you   

    Are losing theirs and blaming it on you,   

If you can trust yourself when all men doubt you,

    But make allowance for their doubting too;   

If you can wait and not be tired by waiting,

    Or being lied about, don’t deal in lies,

Or being hated, don’t give way to hating,

    And yet don’t look too good, nor talk too wise:

If you can dream—and not make dreams your master;   

    If you can think—and not make thoughts your aim;   

If you can meet with Triumph and Disaster

    And treat those two impostors just the same;   

If you can bear to hear the truth you’ve spoken

    Twisted by knaves to make a trap for fools,

Or watch the things you gave your life to, broken,

    And stoop and build ’em up with worn-out tools:

If you can make one heap of all your winnings

    And risk it on one turn of pitch-and-toss,

And lose, and start again at your beginnings

    And never breathe a word about your loss;

If you can force your heart and nerve and sinew

    To serve your turn long after they are gone,   

And so hold on when there is nothing in you

    Except the Will which says to them: ‘Hold on!’

If you can talk with crowds and keep your virtue,   

    Or walk with Kings—nor lose the common touch,

If neither foes nor loving friends can hurt you,

    If all men count with you, but none too much;

If you can fill the unforgiving minute

    With sixty seconds’ worth of distance run,   

Yours is the Earth and everything that’s in it,   

    And—which is more—you’ll be a Man, my son!